No Apology

My attempt at writing the simplest song possible. As is typical with constraints, I ended up with something more interesting than I had expected. If not for the hideous drum fill, this might have been a contender.

Falsetto is almost unrecognizable in this track. A chipper Ray singing. Lyrics were taking me where they wanted, or to whomever they wanted, and in this case we ended up in a blind alleyway with a girl called Cindy.

A mellow pearl, written under the influence of the Velvet Underground. Started playing around with the sample of myself playing guitar at different speeds, I got an effect I really liked. I later re-recorded this with a band.

What does it mean. Nobody knows. This one never amounted to much.

The inner dialogue of our conflicted protagonist. Another piece intended as part of a “concept album” which I had actually made a booklet and story to go along with, now lost. Recorded on the same day as Word Is Out.

Two dueling acoustic guitars, two vocals, computer-generated drums and bass… some of the vocals were regrettable but I didn’t save the multitrack, so I was never able to revisit it and give it the love it probably deserved. All the love came later. Favorite moment is the breakdown at around 1:15. Not sure where that…